Call for Papers—“Reckoning With Slavery”
This is quite an interesting call for papers. I’ll try to monitor it.
Television journalist Soyini Grey of C Television sits with Nigel Campbell to discuss the 2016/2017 budget with reference to the creative industries in light of his recent blogpost which analyses the government’s diminishing response—both financial and conversational—to the idea a creative industry. Video courtesy CNMG Programme Air Date: Tuesday, 28 October, 2016 Programme Length: 0:25:28…
‘Tell Desperadoes when you reach that hill I decompose, but I composing still.’ ” Derek Walcott A statement so timely on the rot that pervades Trinidad that I had to double check the year it was written because I thought he was talking about our current state. We’ve been doing this nonsense for years.
An article by Doreen St. Félix for MTV.Com. While listening to a radio transmission in Kingston, Stuart Hall suddenly felt lost. It was the early 1970s, and Hall had temporarily returned to his home country of Jamaica after two decades abroad. Back in 1951, Hall had won a Rhodes Scholarship to the University of Oxford,…
I’m actually finding this very intriguing: The Centre for Culture and the Arts at Leeds Beckett University in partnership with Leeds West Indian Carnival will be hosting an international conference on Caribbean Carnival Cultures on 19 – 21 … Source: Second Call for Papers – Caribbean Carnival Conference, May 2017
This imaginative book throws new light on the closing years of Caribbean slavery and the lives of enslaved people of African descent before emancipation in Trinidad in 1834. The book centres on the drawings of plantation life by Richard Bridgens, an English-born artist who became a planter and slaveholder in Trinidad, and examines these in […]…
[Many thanks to Peter Jordens for bringing this item to our attention.] Eternity Martis (The Fader, 1 September 2016) writes about the trajectory of patois on the global stage concluding that “more than just slang—it’s a language of freedom.” [. . .] Patois, as well as its hybridized diasporic slang, is a language used by […]…